Is That You, Tommy?
I'm loving this, particularly for its invocation of Erik Davis's quote about deregulated reality. Not saying I believe in any of it, mind you; I'm agnostic when it comes to these matters. But it's interesting nonetheless.
Saturday, August 06, 2005
About Me
- Name: Dave
- Location: Chicago, Illinois, United States
Do you know me? Read one of my stories. Will you know me then? I have blue eyes, but sometimes they are green. Does this help? I am older than The Electric Company but younger than Sesame Street. Have you figured it out yet?
Previous Posts
- Delayed Propaganda
- Cryptozoology Update
- Technorati Tags, Maybe?
- Who said it had to mean cattle show?
- Mots de Jarmusch
- First Story Sale
- Slipped My Mind
- What Apocalypse Are I?
- No Meditation, Please, We're Berserkers
- Someone Tell Frank Costanza
This work is licensed under a Creative Commons Attribution 2.5 License.
Bibliography
Novels
- Superpowers will be appearing in early 2008! (Tentatively.)
Short Stories
- "The Comfort of Thunder" in On Spec Summer 2001
- "Vagina Music" at Flashquake for Summer 2003
- "The Ichthyomancer Writes His Friend with an Account of the Yeti's Birthday Party" in Lady Churchill's Rosebud Wristlet Number 13, Fall 2003 (Honorable Mention, The Year's Best Fantasy and Horror: Seventeenth Annual Collecion); Reprinted in The Best of Lady Churchill's Rosebud Wristlet (Forthcoming)
- "The Love Thing" in Grasslimb Number 4, January 2004
- "The Three Clocks of Vorstein" in Paradox Number 4 (Online PDF Issue)
- "The Lethe Man" in Say . . . (Why Aren't We Crying?), Number 4, May 2004 (Shortlisted for the Speculative Literature Foundation's Fountain Award)
- "A NOtE AbOUt thE TYpE" in Lady Churchill's Rosebud Wristlet Number 14, May 2004
- "The King of Memphis" in Talebones Issue 28, Summer 2004
- "The Colossus Vignettes" in Fortean Bureau Issue 25, August 2004 (Honorable Mention, The Year's Best Fantasy and Horror: Eighteenth Annual Collection)
- "Iron Ankles" in Strange Horizons, August 16, 2004 (Honorable Mention, The Year's Best Fantasy and Horror: Eighteenth Annual Collection)
- "The New Year's Party, or, Dancing on Sleipner's Bones" in Strange Horizons, December 6, 2004
- "Breaking Glass" in The Third Alternative Issue #40, Winter 2004 (Honorable Mention, The Year's Best Fantasy and Horror: Eighteenth Annual Collection)
- "Flash Bison" in Rhapsoidia #7, Winter 2005
- "Walking to Tahiti" (with Marianne Westphal) in The Dogtown Review #2, May 2005
- "A Whole Man" in Talebones Issue 30, Summer 2005 (Honorable Mention, The Year's Best Fantasy and Horror: Nineteenth Annual Collection)
- "Virginie and the Fool" in Ideomancer, September 2005
- "Screen" at Pindeldyboz, February 22, 2006
- "The Water-Poet and the Four Seasons" at Strange Horizons, May 1, 2006 (Reprinted in Fantasy: The Year's Best, Prime Books, edited by Rich Horton)
- "Play" in Lady Churchill's Rosebud Wristlet Number 18, May 2006
- "Shackles" in Rabid Transit 5: Long Voyages, Great Lies, May 2006
- "Five Hundred and Forty Doors" in Twenty Epics
- "Grandma Charlie and the Wolves" in Flytrap #6, November 2006
- "Manifest Destiny" in Polyphony 6, November 2006
- "Proof of Zero" in Spicy Slipstream Stories, Forthcoming
- "The Somnambulist" in Moonlit Domes: An Anthology of Urban Fantasy, Forthcoming
- "Oma Dortchen and the Pillar of Story" in Farrago's Wainscot, Forthcoming
Poems
- "Jam" in Say . . . Have You Heard This One?, May 2005
Criticism
- "Johnny Cash: Bitter Tears," "The Embarrassment: Heyday," and "Poster Children: Junior Citizen" in Lost in the Grooves: Scram's Capricious Guide to the Music You Missed, 11/4/2004
- "The Breaking Point: Hemingway, Dos Passos, and the Murder of Jose Robles" by Stephen Koch, at the Mumpsimus
- "La Science Des Rêves (a.k.a. The Science of Sleep)" at Strange Horizons
- "El Laberinto del Fauno (a.k.a. Pan's Labyrinth)" at Strange Horizons
Essay
- "On Making Noise: Confessions of a Quiet Kid" in Brothers and Beasts: An Anthology of Men on Fairy Tales edited by Kate Bernheimer, Forthcoming
1 Comments:
I like how it fittingly opens with a line from a song on one of the most frighteningly bad albums of all time in "Empire Burlesque."
Why Bob Dylan suddenly went Billy Ocean in the mid-80's may be one of the great unsolved mysteries of our time.
- Trent Hergenrader
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